Goodreads: The Twistrose Key
Published: October 22, 2013
A striking middle-grade debut in the tradition of The Chronicles of Narnia and The Golden Compass
When a mysterious parcel arrives at her family’s new home, eleven-year-old Lin Rosenquist has a curious feeling she’s meant to discover what’s inside.
Much to Lin’s surprise, the ornate key contained in the parcel unlocks a spellbinding world called Sylver, hidden behind the cellar door. Sylver is an enchanting land of eternal winter, inhabited by animals that shared a special connection with children in the real world, either as beloved pets or tamed wild animals. In death, they are delivered to Sylver, where they take on a curiously human-like form and still watch over the children they cherish. While Lin is overjoyed to be reunited with her beloved pet, Rufus, she soon learns that the magic of the Petlings and Wilders is failing, and snow trolls want to claim Sylver for themselves. Lin must discover a way to stop them and save this enchanted world.
Full of charm, suspense, and heartfelt emotion, this memorable classic in the making will leave readers breathless.
The Twistrose Key promises a lot, and I was attracted the moment I heard of it. The official summary boasts, “Exhilarating suspense and unforgettable characters await the readers of this magical adventure, destined to become a classic.” A classic magical middle-grade adventure? I thought. It’s about time someone wrote a book that can stand alongside The Chronicles of Narnia. Count me in!
Unfortunately, for the first 100 pages—nearly one third of the book—I felt I was reading Narnia (see specific comparison quotes below). From the main character’s chance meeting with a talking creature in a snowy magical world to the way time works in Sylver, it is clear Almhjell is heavily inspired by Lewis. While taking some seeds from Narnia would not be amiss in a fantasy, attempting a rewrite of Lucy Pevensie’s iconic meeting with Mr. Tumnus in a frozen wood is bold—and in most cases destined for failure.
Once all the background information on the world of Sylver and Lin’s quest there is set up, the book does become more original. It also becomes more fast-paced. Protagonists Rufus and Lin travel more widely, they encounter more powerful magic, and they uncover a number of titillating secrets. They decipher prophecies, they escape from traps, and they battle a horde of trolls. It’s quite exciting, really, and made all the better by the bond between Rufus and Lin. They are fantastic traveling companions, determined to stick by each other through whatever adventures befall them.
The story also gets progressively darker, which is a major departure from Narnia in itself. Lin suffers various injuries, with appropriate gushing of blood, and seems in real danger of dying at several points. The descriptions of what happens to some of the bad guys in the tale are also pretty grisly. This edgy take on children’s fantasy will appeal immensely to modern audiences.
However, Almhjell strikes a great balance by including childlike moments and activities that lighten the tone of the novel. Lin refuses to remove the grubby old cardigan her grandmother knit her and that Rufus used to live in. She recalls her times playing troll-hunters with her friend at home when she must fight real trolls. She thinks how disappointed her parents will be if she fails in her quest and never returns home. Lin, though a Twistrose, is still a little girl—and a delightful one at that. A well-written and believable child heroine.
The Twistrose Key certainly has its flaws. Its beginning is very derivative, and when it is not being derivative it can be confusing. (Lin’s quest, in particular, is not clearly defined when introduced.) However, if readers are willing to stick out the story until the point Rufus and Lin leave Sylveros, they will find a real adventure awaiting—one that has action, but also charm, one that takes readers to magical places, but also explores real questions like the nature of friendship and courage. I am not as in love with The Twistrose Key as I had sincerely hoped, but it is a pleasant read for fans of the genre.
Are you sure we’re not in Narnia?
This section includes a side-by-side comparison of quotes The Twistrose Key and The Chronicles of Narnia, in order to highlight the similarities. The quotes, of course, count as spoilers for those who prefer to go into books blind.
“There was no cellar, and no riverbank, either. Instead she looked out on a desolate, frozen mountain valley, where winter twilight painted the snow blue, and stern peaks rose into the sky. A creature crouched in the snow before her, facing away, but so close that she could smell it: a musky scent” (Twistrose 9).
“And then she saw that there was a light ahead of her; not a few inches away where the back of the wardrobe ought to have been, but a long way off. Something cold and soft was falling on her. A moment later she found that she was standing in the middle of a wood at night-time with snow under her feet and snowflakes falling through the air…She heard a pitter patter of feet coming towards her. And soon after that a very strange person stepped out from among the trees into the light of the lamp-post” (Narnia 113-114).
“When true danger rises, when the last hope is lost, it is said in Sylver that only a child of Earth can help” (56).
“When Adam’s flesh and Adam’s bone
Sits at Cair Paravel in throne,
The evil time will be over and done” (147).
“That’s right, girl. Time flows differently in Sylver…An hour here can be a day in your world, or a day can be a week, we never know” (49).
“If, I say, she [Lucy] had got into another world, I should not be at all surprised to find that the other world had a separate time of its own; so that however long you stayed there it would never take up any of our time” (132).
“The Observatory allows us to see our human children, but only for a time….”
“You mean because they died?”
“No. Because they aren’t children anymore” (344-345).
“’Oh, you two [Lucy and Edmund] are,’ said Peter. ‘At least, from what [Aslan] said, I’m pretty sure he means you to get back [to Narnia] some day. But not Su and me. He says we’re getting too old’” (417).
Almhjell, Tone. The Twistrose Key. New York: Penguin, 2013. Print.
Lewis, C. S. The Chronicles of Narnia. New York: HarperCollins, 2002. Print.
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