Based on the experience of real-life Auschwitz prisoner Dita Kraus, this is the incredible story of a girl who risked her life to keep the magic of books alive during the Holocaust.
Fourteen-year-old Dita is one of the many imprisoned by the Nazis at Auschwitz. Taken, along with her mother and father, from the Terezín ghetto in Prague, Dita is adjusting to the constant terror that is life in the camp. When Jewish leader Freddy Hirsch asks Dita to take charge of the eight precious volumes the prisoners have managed to sneak past the guards, she agrees. And so Dita becomes the librarian of Auschwitz.
Out of one of the darkest chapters of human history comes this extraordinary story of courage and hope.
The Librarian of Auschwitz is a moving story following Dita, a Jewish teenager who was charged with the care and keeping of eight clandestine books in the secret school the prisoners established in the family “show camp” in Auschwitz-Birkenau. The novel, as clarified by the real-life Dita, is a fictionalization of real events, combining painstaking research with the author’s “rich imagination.” The result is a novel that is hard (it’s about Auschwitz, after all) but which also highlights the small beauties and acts of humanity that can flourish in even the most terrible of places.
The book weaves the stories of various other prisoners at Auschwitz into the narrative, ranging from Rudi Rosenberg, a camp registrar who eventually escaped and tried to warn the world of what the Germans were really doing in the concentration camps, to Fredy Hirsch, a youth sports leader who became in charge of the secret school in Block 31. The extra narratives make the book longer, and sometimes sadder since readers know from the beginning that Dita survives but may not be so sure about the other character—but the seeming tangents also help provide a more complete story what happened at Auschwitz.
The point-of-view is therefore sometimes odd, or it may be to readers used to the US young adult market, which is dominated by novels written in a first person limited perspective. The Librarian of Auschwitz is third person omniscient, switching not long among the points of view of various characters who may never interact with each other at all in the book but also to a narrative voice which occasionally interjects straight-up history lessons and commentary into the book.
At times, I found the story slow. I stopped reading it for a while then went to pick it back up, assuming I was at least halfway through; I was actually barely a quarter into the book. However, the story is one that should take time, drawing readers carefully through the various layers. Recommended for fans of historical fiction.