Goodreads: Cinderella Is Dead
200 years ago, Cinderella married Prince Charming. Now, in her honor, the young maidens of the kingdom must appear each year at the king’s ball, where the men will choose their brides. Those who are not chosen are sentenced to a labor camp. Sixteen-year-old Sophia must attend this year, but she would rather marry her best friend Erin. So, she makes a desperate attempt escape, finding Cinderella’s last descendant in the process. Could it be that the fairy tale they have all been told was never true? This feminist retelling encourages readers to smash the patriarchy and choose their own destiny.
Feminist fairy tales are rather in vogue right now, and Cinderella Is Dead proudly joins their ranks as it presents readers with a world where young women are seen by men as goods they can choose and abuse at will. The story’s darkness is also rather on trend as it becomes immediately apparent that society as a whole has chosen to look the other way as the king encourages the men of his country to select wives like wares at a market, marry them, beat them, and then dispose of them when they want a younger bride. Women are also being forced into labor camps, or sold secretly as apparent sex slaves. The book is not for the faint of heart. Those look for an edgy, feminist fairy tale with a twist, however, will adore Cinderella Is Dead, despite its share of common YA weaknesses.
Admittedly, a story line focused primarily on how awful men are can start to feel a bit oppressive, and, frankly, a bit unfair. The protagonist (Sophia) and her love interest repeatedly emphasize how there are really no good men because even the few who are not horrible wife beaters and murderers do nothing to stop the king and his followers. Sophia’s father, for instance, is presented as decent to his wife and daughter, but, when it comes down to it, he will not support Sophia’s desire to defy the king and run away, because he fears what the king could do to him and to his wife as a result. Sophia has little sympathy for her parents’ fear of being tortured and executed, and ultimately dismisses her father as a weak coward who cannot be a good man because of his apathy. Pretty much every single man in the book is presented either as evil incarnate or guilty by association. It’s a pretty extreme view that may alienate some readers, even if they do want to fight the patriarchy.
If readers do not mind this portrayal, however, the book has plenty of action, romance, and mystery to keep them engaged. Basically, Sophia needs to figure out the truth of the Cinderella story, not the propaganda the crown puts out in order to keep women subservient. This will allow her to identify the king’s weakness and put an end to his rule. It is a bit unbelievable that an untrained girl has plans to end the monarchy in a few days’ time with zero training and no plan, especially when others have tried before her for the past 200 years, but this is a pretty standard plot line in YA fantasy, so I imagine plenty of readers will find no fault here.
Another issue I had with the book is how quickly Sophia turns from being in love with (and wanting to marry) her childhood friend Erin, and desiring to be with her new flame. One look is all it takes for her heart to change sides. Instalove is pretty common in YA books, and I think Cinderella Is Dead is just engaging in a trope many readers clearly find enjoyable–or at least not objectionable enough for them to stop buying books. For myself, however, I wish the romance had had more of a lead-up. It is particularly difficult to sell instalove when you begin a book with the protagonist in love with someone entirely different!
Still, the weaknesses I see inn Cinderella Is Dead are really common in YA books, and many readers do not mind them at all. While they do prevent me from finding the book to be a five star read, I think it has enough originality and fast-paced action to be enjoyable. Readers who enjoy YA fairy tale retellings will want to give this one a try.