Goodreads: So This Is Love
Published: April 7, 2020
What if Cinderella never tried on the glass slipper? Unable to prove that she’s the missing princess, and unable to bear life under Lady Tremaine any longer, Cinderella attempts a fresh start, looking for work at the palace as a seamstress. But when the Grand Duke appoints her to serve under the king’s visiting sister, Cinderella becomes witness to a grand conspiracy to take the king-and the prince-out of power, as well as a longstanding prejudice against fairies, including Cinderella’s own Fairy Godmother. Faced with questions of love and loyalty to the kingdom, Cinderella must find a way to stop the villains of past and present . . . before it’s too late.
So This Is Love is largely the type of YA I often miss–a feel-good fantasy story where nothing too terrible happens and where what’s most at stake is something in the protagonist’s personal life, not necessarily the fate of the kingdom or the world. The cover art makes the story look dark (I realize this is just the branding of these “What If?” Disney stories), but overall it has the hope and cheer of the original “Cinderella,” even when things are going wrong.
Lim impressively captures the tone of Cinderella herself, writing a character who sounds sweet and sometimes naive, but not in a way that’s off-putting or cloying, She comes into more confidence over the course of the story, of course, and there are some nods to the idea that she couldn’t have really been as happy and chipper being an abused servant as the Disney movie suggests, but I did overall think Lim did a good job of embodying the voice of a Cinderella character.
I have more mixed feelings about the plot. I enjoyed it while it focused on Cinderella and her quests to make a life for herself and to possibly recapture the attention of the prince and see if they really did fall in love the night of the ball. However, this romance and personal journey is mixed with some hints that something larger is going wrong in the kingdom–riots and calls from the peasantry for lower taxes, more representation in government, etc.
The weird part about this is that it all occurs off-page. The story rarely leaves the castle and then it stays in the city directly surrounding the palace. Readers only hear about this social unrest through the character of the Grand Duke–who is not the kind of foppish and silly character portrayed in the Disney movie, but rather a cunning political schemer who thinks peasants having power is scandalous and will be the ruin of the kingdom. This was a tough sell for me simply because I have seen the movie; otherwise, I suppose the character as a plot device (obstacle to Cinderella’s happiness) is fine. However, I did find it odd that the Grand Duke is incredibly worried about riots and social changes that the readers never actually see.
There is a similar subplot about the question of whether magic should be banned in the kingdom–which is also largely discussed as something occurring off-page and not something the readers necessarily have a large investment in, in terms of the main action. This also means there are roughly three major plots going on: Cinderella’s romance, the question of peasants having power, and the question of magic.
In the end, however, I think the book works. It’s a bit like a Disney movie itself–entertaining, never too dark even when Cinderella faces challenges, and…not always as developed as it could be. It’s fund and enjoyable; I just can’t always think too hard about the plot, or it becomes obvious that some parts don’t quite work. I did still like it, and I’m glad I read it.