The Wild Girl by Kate Forsyth (ARC Review)

The Wild GirlInformation

Goodreads: The Wild Girl
Series: None
Source: Shelf Awareness
Publication Date: July 7, 2015

Official Summary

Dortchen Wild fell in love with Wilhelm Grimm the first time she saw him.

Growing up in the small German kingdom of Hessen-Cassel in early Nineteenth century, Dortchen Wild is irresistibly drawn to the boy next door, the young and handsome fairy tale scholar Wilhelm Grimm.

It is a time of War, tyranny and terror. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Forced to live under oppressive French rule, the Grimm brothers decide to save old tales that had once been told by the firesides of houses grand and small all over the land.

Dortchen knows many beautiful old stories, such as ‘Hansel and Gretel’, ‘The Frog King’ and ‘Six Swans’. As she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen’s father has other plans for his daughter. Marriage is an impossible dream.

Dortchen can only hope that happy endings are not just the stuff of fairy tales.


Kate Forsyth’s The Wild Girl is one of those books that has a fantastic premise that the story and prose never quite do justice to.  The book tells the story of Dortchen Wild, her romance with Wilhelm Grimm, and her love for fairy tales. It apparently has everything that someone like me, a fan of strong women characters, historical fiction, and retold fairy tales, would love.  However, its apparent selling point is also its demise; the book strives to be so many things–a romance, a historical fiction, a repository of fairy tales, a coming of age story, even women’s fiction–that it fails to do most of those things particularly well.  The result is a novel that has some strong ideas and very beautiful moments, but comes across as unfocused as a whole.

Marketing is hyping up the fairy tale aspects of the novel, but they are actually somewhat understated in the story itself.  Dortchen herself rarely demonstrates a personal interest in the stories.  She claims to have enjoyed them as a child, but during the novel uses them primarily as excuses to flirt with Wilhelm, as he is collecting old local stories for a book.  She draws a clear parallel between herself and a fairy tale only once, but Wilhelm later uses it better, as if he is, contrary to all Dortchen’s claims, he is the one who understands the value of a good story best of all.  Additionally, fairy tales are more often alluded to than retold in the novel, which is probably fun for readers who understand the allusions, but may be frustrating for readers who are not and want to be let into the club.

Much more emphasis is placed on the romance of the novel.  For a long while, however, the “romance” is really just Dortchen’s hopeless crush on Wilhelm.  It begins early, both in the book and in her life, which means that for a large chunk of the novel the audience has no way of knowing this is supposed to be serious, that it is something to be invested in, not a childish infatuation that will eventually go away.  Unfortunately, the summary/book jacket have to do the work of telling the audience this is important, because the story itself does not.  Once Wilhelm confesses his love for Dorothea, they go pretty quickly to making out, which may be a disappointment for readers who want more romantic tension in the form of an actual courtship.

Historical events also form a large part of the novel.  Often, but not always, the lengthy explanations of what armies are moving where are related to what happens in the lives of Dortchen and her family.  These passages sometimes bog down the pace of the story.

The story, however, does successfully manage a large cast of characters.  Dortchen and Wilhelm both have large families, and eery single sibling and parent gets their fair share of screen time.  Everyone is developed and complex.  Readers may easily find that their favorite character is not one of the protagonists.  This also means there are a few side romances, some of which are more romantic and some less than Dortchen’s and Wilhelm’s.  This may all be a result of more historical research on Forsyth’s part, but she does put in the effort of managing all the characters and their details.

The Wild Girl has a lot of positive reviews on Goodreads (having already been released in Australia). It is obviously a successful novel with lots of fans.  However, I found it tries to do too much and ends up a bit flat and muddled as a result.  I like the idea but think the execution can be improved.


8 thoughts on “The Wild Girl by Kate Forsyth (ARC Review)

    • Briana says:

      This is the only one of her books I’ve read! Since part of my frustration seemed to step between mismatches between what marketing is saying the book does and what the book actually does, I would definitely be open to looking into more of Forsyth’s work/


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